Mortal Instruments: City of Bones, The (2013) [Blu-ray]
Action | Adventure | Drama | Fantasy | Mystery | Romance
Tagline: You have been chosen
When her mom is attacked and taken from their home in New York City by a demon, a seemingly ordinary teenage girl, Clary Fray, learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and
heads into a dangerous alternate New York called Downworld.
Storyline: Set in contemporary New York City, a seemingly ordinary teenager, Clary Fray (Lily Collins), discovers she is the descendant of a line of Shadowhunters, a secret cadre of young half-angel warriors locked in an ancient
battle to protect our world from demons. After the disappearance of her mother (Lena Headey), Clary must join forces with a group of Shadowhunters, who introduce her to a dangerous alternate New York called Downworld, filled with demons, warlocks,
vampires, werewolves and other deadly creatures. Based on the worldwide best-selling book series. Written by Sony Pictures Entertainment
Reviewer's Note: Reviewed by Martin Liebman on December 3, 2013 -- Bach is to demons what garlic is to vampires. --- So, according to The Mortal Instruments: City of Bones, good old Johan Sebastian was a demon
hunter, huh? Who knew? Hey, if Jesus and Honest Abe were vampire hunters, then anything's possible, and it all makes sense in the cosmic wasteland of the cinema absurd because, there, anything can fit any analogy. On that note, then, it's right to
say that The Mortal Instruments: City of Bones is to quality cinema like Chicken McNuggets are to aliens (it's no more crazy than Bach and demons) or Kryptonite is to Superman. In other words, it ain't good. Indeed, this movie is more like a Silver
Bullet to a werwolf and less like spinach to Popeye. The film, based on the novel by Cassandra Clare, wants to replicate the success of something else and forgets to just be itself. Here's another book translated to the screen with aspirations of becoming
the next big Tween sensation to shine in the afterglow of Twilight's mega-dollars success, the other big one being Beautiful Creatures (by the way, take a gander down the Teen isle at the bookstore and notice how just about every book has a
black cover with glittery accents and flowery letters; it's really quite something to see). The Mortal Instruments: City of Bones fares significantly worse than any of the movies based on Stephenie Meyer's runaway bestsellers. Take everything most
movie watchers hated about those films, make them all worse, and add in the "ripoff/cash-in" angle and behold this movie in all its anti-glory.
Clary Fray lives a rather normal city life with her artist mother. However, she begins seeing a strange symbol in everything from her coffee foam to her mindless doodles. One evening, she and her friend Simon witness what appears to be a murder at a night
club and only later discover the act was a demon slaying by one of the foremost "Shadowhunters," or "demon hunters," named Jace. Unlike other "mundanes," or "humans," Clare can see Jace, hence her bearing witness to the killing. It's apparent to her that
Jace and the runic symbol she's been seeing are related. After learning that her mother has been abducted (by men who look like they've just walked off the set of a Mad Max movie), Clary returns home to be attacked by a demonic dog (that looks like
it's just zipped from the Resident Evil hard drive to the City of Bones hard drive). Jace rescues her and convinces her to return with him to "The Institute" and learn of her fate and her family's connection to the missing "Mortal Cup," one
of the "Mortal Instruments" that aid in man's fight against demons.
Aside from some demons and a watery blue portal that looks like a shrunken-down Stargate, The Mortal Instruments: City of Bones does feel an awful lot like Twilight. There are some vampires and werewolves, but more than that there's a
cross-series appearance by Jamie Campbell Bower and plenty of other mysterious, bright-eyed, clear-skinned, mostly pale, and largely inhuman creatures wandering about. There's also the innocent teenage girl who gets mixed up with them. Certainly,
Instruments' Clary isn't any regular girl like Twilight's Bella -- there's more to her than she's been led to believe -- but the similar story lines of "girl thrust into circumstances beyond her comprehension," "girl battling inhuman enemies
alongside equally inhuman allies," and "girl caught in the obligatory second-rate romantic triangle" are all keystones to the plot. Aside from all of that, however, the story goes all over the place and it's not particularly fun to try and follow.
Cut-rate characters aside, there's little honest drama explored and certainly no novel drama to enjoy. There's plenty of action but action movie fans have seen before. The romance is predictably bland, aimed at tantalizing its core audience with magical
whimsey and Twilight-inspired teenage fantasy rather than something based in even a hint of reality. All of the other details are best left explored in the book or even the Blu-ray supplements which do a much better job of fleshing out characters,
origins, and allegiances in just a few minutes (or with a few remote clicks) than does the movie in its two-hour-plus runtime.
The end result is a movie that's overstuffed with meandering devices and an excess of character and plot expository scenes that don't always serve to advance the movie at a good pace. It borders on the directionless, at times, as it attempts to stuff in
everything Twilight fans enjoyed in that series and that, probably, the studio thinks will draw in the target demographic. It fails to find the same level of quality acting that helped make Twilight a better series than it's given credit for
being, and the story certainly isn't particularly noteworthy for any sort of novelty beyond the way it arranges its overused pieces. Certainly, that absence of real novelty also plagues Twilight, but what's missing here that that series enjoyed is
a spark of magic, a real sense of care and concern for the characters, and more believable interaction amongst them. Here, everything feels like it's just an ingredient in a formula meant to recreate something rather than strike out for an original
flavor. The film earns a few laughs (notably with a solid Ghostbusters reference) and toys with a couple of decent ideas that are ultimately buried under an avalanche of familiar fluff that only drags the movie down rather than lift it to the
levels genre fans enjoyed with the Twilight series.
If fans really hated Twilight, they'll despise The Mortal Instruments: City of Bones. The difference here is that there probably won't be cultural over-saturation with this series, just scattered chuckles at its attempt to recreate a
different series. The source material seems decent enough, if not a bit mundane and forced, but the filmed adaptation certainly leaves much to be desired. It's not Twilight, but it desperately wants to be. There's nothing new here, just the same
tired sort of characters, drama, action, and romance that's lately been done to death both on the page and on the screen. Sony's Blu-ray release of The Mortal Instruments: City of Bones features satisfactory video and audio. A light assortment of
extras complete the package. Skip it.
[CSW] -2.2- I suppose I need to read the books but the story line just doesn't seem that interesting to me. I really liked some of the very gothic eye candy and have a real appreciation for the set designer. Again I didn't particularly care for the story
line and they didn't give a whole lot of explanations. I guess that their main audience was supposed to be people that had read the books. Without adequate character development, and what seemed unrealistic conflict between characters that literally has
no purpose being there made this film seem rather banal. Everybody wants to be the next Harry Potter or the next Twilight, for no other reason than it is a license to print money if it takes off. This was neither. I for one cannot for the life of me tell
what is going on most of the time and the rest of the time I really didn't care. I never developed a sense of caring for any of the characters. This film turned out to be unspectacular at every single turn.
[V4.0-A4.0] MPEG-4 AVC - No D-Box motion codes were available at the time of this rental although they are available now.
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